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Murphy to Oscar: “Oh-Tay!”

September 8th, 2011 No comments

  

I read the news today. Oh boy.

I smell a Ratner…

Still stinging from criticism of the less-than-stellar 2010 Oscars telecast last February which paired actors Anne Hathaway and James Franco as show hosts, the Academy of Motion Pictures Arts and Sciences has announced that Eddie Murphy will host the 2011 Oscarcast. That’s right: Eddie Murphy, the former “Saturday Night Live” cast member turned 80s and 90s box-office powerhouse. While still a recognizeable figure, Murphy’s star has faded substantially in the past decade, despite maintaining a lucrative job voicing the character of Donkey in the “Shrek” films, as well as receiving a Best Supporting Actor nomination for “Dreamgirls” in 2006. Even still, Murphy, whose last film was box office dud “Imagine That,” will be seen in the upcoming “Tower Heist,” opposite Ben Stiller and Casey Affleck, directed by Oscar co-producer Brett Ratner (who works alongside seasoned Oscar producer Don Mischer).

Can “Pluto Nash 3D” or “Re-Meet Dave” be far behind?

Ratner has expressed a desire to resurrect the “Beverly Hills Cop” franchise with Murphy; the 3-film series made nearly a billion dollars in box office receipts from 1984 to 1994. Still only 50, Murphy broke-out in stand-up comedy and was made a cast member of NBC’s “Saturday Night Live” at the age of 19. Two years later, he made his feature film debut in Walter Hill’s successful “48 Hrs.”, then cemented his box office stature with 1983’s “Trading Places,” a bona fide blockbuster hit. A number of hit films followed (“Coming to America,” “The Nutty Professor”), but by 2002 Murphy’s film roles grew increasingly formulaic, and he was saddled with a series of high-profile flops, including “The Adventures of Pluto Nash,”  “Norbit” and “Meet Dave.” Clearly both Murphy and Ratner believe that “Tower Heist,” in which Murphy plays a thief recruited to help steal $20 million believed hidden by a Bernie Madoff-like con man, will revitalize his career. Early buzz on ‘Heist,’ which features a supporting cast filled with the likes of Alan Alda, Gabourey Sidibe and Matthew Broderick, is strong.

Have I seen this one before?

The Academy has drawn on comedians to host the Oscarcast many times before: Bob Hope was considered the show’s ‘unofficial host’ for years. Johnny Carson hosted the show numerous times, and Billy Crystal, Steve Martin and even David Letterman have hosted (although Letterman was a one-shot wonder, as were subsequent ‘edgy’ comic hosts Jon Stewart and Chris Rock). It’s hoped that Murphy’s stand-up experience and career longevity will restore the Academy Awards telecast’s steadily declining ratings, but that a tough bet to make, given that Murphy’s dated appeal and R-rated humor may not  translate to a network awards show.

In other Brett Ratner-related news…

Whether by coincidence or design, another Ratner crony re-surfaced this week: Chris Tucker, of “Rush Hour” fame, announced he was set to join director David O. Russell’s comedy “The Silver Linings Playbook,” the director’s follow-up to last year’s box office hit “The Fighter.” Tucker hasn’t been in a film since “Rush Hour 3” in 2007, after hemming and hawing 6 years to make that film. Although he was (and remains) attached to a crime script at Warner Brothers called “The Rabbit,” it seems likely that Tucker’s next two projects will be Russell’s  ‘Silver Linings,’ as well as “Neighborhood Watch,” opposite Ben Stiller, Vince Vaughn and Jonah Hill. Tucker is a mercurial figure who has worked with visionary directors like Quentin Tarantino (“Jackie Brown,”) and Luc Besson (“The Fifth Element”) before finding financial and career stability with Ratner, with whom Tucker has made 4 films: the 3 “Rush Hour” films, as well as “Money Talks,” Ratner’s debut feature. Presently, Tucker is performing a standup comedy tour, set to end in November.

Beverly Hills Cop-out?

Eddie Murphy’s hosting gig at the 2011 Oscars next February probably won’t change much in terms of the show’s ratings decline. Despite Murphy’s $7 billion (with a b) in career box office earnings, what needs to be changed at the Oscars is the show, not its host. The Academy has already decreed that the number of Best Picture nominees will not be the 10-title phone-book list of recent years, itself a promising start. It’s clear the different producers of the last few years have taken stabs at originality, but the Academy Awards telecast remains a real relic of old Hollywood. Like the movie business itself, which is declining in the numbers of ticket buyers, the Academy Awards TV broadcast is going to have to find a new, sustainable model if it wishes to enjoy continued ratings – or relevancy.

Hollywood Autumn

September 30th, 2010 No comments

It has been a tough week for Hollywood and Broadway, not to mention the comedy world, in terms of losses. In just the last week, four Hollywood legends have passed away and two younger talents, a renowned editor and popular comic, have died unexpectedly. Most of us have heard the old saying about losses coming in threes, but multiples of three? That’s hard to take.

Eddie Fisher died at his home in Berkeley, California on September 23, 2010 from complications of hip surgery. He was 82. A singer and actor, Eddie Fisher was a top performer whose tumultuous love life commanded headlines throughout the 1950s. As a teen heartthrob, he scored four number-one hits, and his good looks and charm won him his first wife, Debbie Reynolds, with whom he had two children, including writer-actress Carrie Fisher of “Star Wars” and “Postcards From the Edge” fame. In 1959, Fisher earned notoreity and public scorn when he left Reynolds for Elizabeth Taylor in a messy breakup, complicated by the fact that Taylor had recently been widowed when her husband Michael Todd died in an air crash – and Eddie Fisher was Todd’s best friend. Fisher married actress Connie Stevens after Taylor left him for co-star Richard Burton while she was making the ill-fated “Cleopatra” in Rome. A period of decline, due to personal, financial and drug problems, ensued in the 1970s. Fisher married twice more, and wrote about his vicissitudes in two autobiographical tomes: “Eddie Fisher: My Life, My Loves,” and “Been There, Done That.”  In addition to Carrie Fisher, he is survived by actress Joely Fisher, his daughter by Connie Stevens, two other children, and six grand-children.

Gloria Stuart (nee Stewart) passed away September 26, 2010. She had turned 100 years old on July 4, 2010, but earned her current celebrity from her role as 101 year-old Rose in James Cameron’s 1997 “Titanic.” Oddly, Stuart’s long life makes the fictional Rose’s look mundane: born in Santa Monica in 1910, Gloria attended University of California at Berkeley, where she met her first husband, a sculptor. Living in an artists’ colony with the likes of photographer Edward Weston and journalist Lincoln Steffens, Gloria acted in a local theater and wrote for newspapers. In 1932 a trip to the Pasadena Playhouse earned Gloria a newfound respect for theater – and a 7 year contract with Universal Pictures. One of the founding members of the Screen Actors Guild and a regular at the famed Algonquin ‘Round Table,’ over the next 14 years she performed in 46 films, acting beside Claude Rains in “The Invisible Man” and opposite Boris Karloff in “The Old Dark House,” both directed by “Frankenstein” director James Whale. Eventually the roles grew increasingly undemanding, and, in 1946, Gloria Stuart (she changed the last name for marquee symmetry) bid her Hollywood career goodbye. Remarried, she traveled around the world, settled in New York City, had a daughter, taught herself to paint, moved to Italy, later began a new career as a master print maker, and eventually wound up as Rose in Cameron’s epic film, playing 101 years old at age 87. A full life, indeed.

As we already noted in For Bards Blog, Academy Award nominated film editor Sally Menke was found dead on September 28, 2010 after failing to return from a trail walk during a record heatwave. In addition to editing all of Quentin Tarantino’s films, Sally also edited two films for Billy Bob Thornton. She was 56 years old; she leaves behind a husband, TV director Dean Parisot, and two daughters.

Arthur Penn died on September 28, 2010 of congestive heart failure, one day after his 88th birthday. Arthur Penn was born in Philadelphia in 1922; his older brother Irving earned international fame as a photographer, but Arthur followed his interests into theater after serving in WWII, working with then-unknown director Joshua Logan. Eventually he garnered a job as a floor manager for the “Colgate Comedy Hour” in New York City, and worked his way up to directing live TV dramas on “Goodyear TV Playhouse,”  “Philco TV Playhouse” and “Playhouse 90.” Before too long, Penn was dividing his time between Hollywood and New York City, directing Broadway hits like “The Miracle Worker,” “Two for the Seesaw”  and “Wait Until Dark.” After winning a Tony for directing “The Miracle Worker,” Arthur Penn directed his Broadway stars Anne Bancroft and Patty Duke in the film version of William Gibson’s drama, earning his first Oscar nomination and winning Oscars for both Bancroft and Duke. Penn only made a dozen theatrical feature films, most notably “Bonnie and Clyde,” the 1967 film whose over-the-top violent ending polarized critics of the day. While a string of Broadway successes and quirky films like “Little Big Man” and “Night Moves” followed, Penn will forever be known as the ‘bloodthirsty’ director of “Bonnie and Clyde,” opening the door for cinema followers like Sam Peckinpah, although Penn himself likened the 1967 film to the Vietnam War, exposing the grittiness of violence to give it value.

Comedian Greg Giraldo died Wednesday, September 29, 2010, five days after falling into a coma after an apparent accidental prescription overdose. He was 44 years old. The comedian was a Comedy Central cable TV network mainstay, appearing regularly on “Tough Crowd with Colin Quinn” and Lewis Black’s “Root of All Evil,” and earning special acclaim as host of Comedy Central’s ‘roasts,’ where his sarcastic humor and semi-serious rants offered a glimpse into the comedian’s darker side. Initially educated as a lawyer, Giraldo gave up the legal profession to tour as a successful comedian, and his popularity soon earned him appearances on late night talk shows. His ascendancy on Comedy Central followed. Giraldo, a divorced father of three, was set to perform in New Brunswick, New Jersey when he was discovered unresponsive and taken to a local hospital.

Hollywood legend Tony Curtis died in his home in Henderson, Nevada, also on September 29, 2010, of cardiac arrest. He was 85. Born Bernard Schwartz in the Bronx on June 3, 1925, Curtis faced a bleak future when his parents, Hungarian immigrants, placed him and his brother in a state-run institution during the height of the Depression. Toughened by street life and anti-Semitism, Curtis entered the US Navy during WWII, serving on the submarine tender U.S.S. Proteus. After his service, he gravitated toward theater, working in the Catskills until a casting agent saw him and invited him to Hollywood. Signing a contract with Universal, he settled on the pseudonym Anthony Curtis. By 1951 he was the Tony Curtis; it was also the year he married actress Janet Leigh. They had two daughters, including actress-author Jamie Lee Curtis. Curtis carved out a successful career during the 1950s and 60s, forming alliances with directors Richard Fleischer and Blake Edwards, among others. As his Hollywood film career stalled, Curtis tried his hand at two television shows, “The Persuaders” and “McCoy.” After a stint at the Betty Ford Center to deal with alcohol and drug issues, Curtis re-invented himself as a fine artist, painting boldly-signed, Matisse-influenced works. After his divorce from Leigh, Curtis married five more times. He is survived by 5 children; one son died in 1994 of a drug overdose.

It certainly is a lot of loss to deal with in a short period of time, but we can take comfort in the fact that all these talents left behind works we can continue to enjoy.

R.I.P. Sally Menke 1953-2010

September 28th, 2010 No comments

The cinema world lost an exceptional talent yesterday with the death of film editor Sally Menke, award-winning and multi-nominated talent behind the editing of every Quentin Tarantino film, including his latest, “Inglourious Basterds,” for which she was nominated for both an Academy Award and BAFTA award. Apparently Menke went out in the worsening Los Angeles morning heat for a walk with her dog in Beechwood Canyon, but when she did not return, family and friends notified authorities and began searching. Her body was reportedly found near the trail at 2 AM, with her dog guarding her. Although no cause of death has been established, it is believed to be related to the 113 degree heat blanketing Los Angeles yesterday.

It’s a big loss for the film industry – and for Quentin Tarantino especially. Sally Menke had edited every single one of Tarantino’s films, undoubtedly aiding him in developing the quirky chronology-fragmenting style that has come to define a Tarantino film. From the chatty opening of “Reservoir Dogs” through its casually intense violence, torture, and bloody denoument, Sally Menke showed that there was a different way to put together a traditional bank robbery picture that would turn the genre on its ear… if you’ll forgive a bad pun.

As an editor, Sally Menke worked with other directors: she edited Oliver Stone’s “Heaven & Earth” in 1993, (the year before she edited “Pulp Fiction” for Tarantino, for which she and garnered her first Academy Award and BAFTA nominations) and with Lee Tamahori in 1996 on “Mulholland Falls.” In 2000 she edited Billy Bob Thornton’s “All the Pretty Horses,” and in 2001 his “Daddy and Them,” although it seems clear that working with Tarantino was her first priority, and she would only take a non-Tarantino job if the notoriously deliberate writer-director was between films.

But it was “Pulp Fiction” that put both her and Tarantino firmly on the Hollywood map. Nominated for top awards in both America and England, Sally came home empty-handed but with a big reservoir of credibility. For the next few years she worked steadily as Tarantino followed “Pulp Fiction” up with “Jackie Brown,” both ‘Kill Bill’ films, “Kill Bill Vol. 1” and “Kill Bill Vol. 2” as well as the ‘Grindhouse’ double bill of “Grindhouse: Death Proof” and “Death Proof,” its feature-length sibling. This was followed by her greatest artistic accomplishment (and, sadly, her Tarantino swan song), the award-nominated editing of Tarantino’s “Inglourious Basterds.”

Sally Menke’s final film was 2010’s “Peacock,” an oddball indie film starring Cillian Murphy as… well, without ruining things for anyone, let’s just say he’s something of a pick-up artist. Apart from its notoreity as Sally Menke’s last film, “Peacock” will probably be best known as another Ellen Page film…

But Sally Menke’s legacy lives on in the vibrant, life-giving momentum she gave her films and their creators. She will be missed. Her work, however, is for the ages.