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Posts Tagged ‘Forbard Story Services’

The 15-day First Draft

July 18th, 2011 No comments

Speed writing?

At Forbard Story Services, I provide truthful and constructive criticism of my clients’ work – and always observe absolute confidentiality involving every writer’s story, plot and subject matter. But I did have a unique experience working with a writer recently that I will share. Like a screenwriting version of speed-dating, we worked together and fashioned a first draft screenplay based on his orginal (prose) material in 15 days. My client and his resulting script fall under that ‘confidentiality’ thing, but the experience itself was invigorating and rewarding.

Compelled to write

For a number of reasons, including the writer’s age, I was motivated to help him achieve his vision, even if that meant I had to do more than I customarily would in terms of story analysis services. The writer was clearly compelled to write, and I could sense his urgency, so I simply used his stories as a blueprint to develop a complete script with a beginning, middle and end, containing solid characters and story themes which would resonate with an audience. After a false start or two, we hit on a productive working relationship: as the client offered more primary material, I generated script pages, which we would both revise. Soon, we fell into a comfortable rhythm.

No time for distractions

To create a full first draft script in 15 days, it was necessary to hunker down and work. It meant a minimum of 10 solid script pages a day before revisions, and left very little time for much else. I consulted with my client by phone nearly every day, sometimes multiple times, and set myself the task of adapting and adjusting the writer’s stories into something a producer or director would recognize as a thought-out script, in a familiar format, lacking any serious flaws like plot holes, stilted dialogue or a formulaic feel. It helped that I was home alone while my wife was away, since it allowed me to work any time the whim struck me.

Even God rested…

The 15-day first draft involved 15 days of writing, but not 15 consecutive days… Let’s face it: writing is hard (at least good writing is), and even God took a day off while creating the world. So I took a few days off during this process, and the entire affair unfolded over 18 days. But, as any writer knows, a ‘day off’ isn’t always an accurate description, since most writers keep working in their heads when they aren’t tapping the keyboard or scribbling on paper. In any case, both my client and I took a few days off, but they were needed to recharge – and refine.

First Draft at last!

The final day of writing was spent bridging various scenes, revising some of the previous story lines and characters, and generally just getting all the script’s figurative ducks in a row. After an intense period of living and breathing the stories’ characters and creating and re-hashing plot elements and story lines, the first draft was complete. My client was enthusiastic about the end result: although he didn’t realize it when he started, he was trying to write a screenplay, but lacked a general familiarity with the format and mechanics of screenwriting to come up with a finished script on his own. For my part, I was very pleased: although as a story analyst I usually confine my input to constructive criticism, this project was special, particularly because of the client’s obvious desire to tell his story.

Stay in shape!

What I took away from the whole experience is that it’s good to keep those screenwriting muscles in shape – a 15-day first draft is like running a marathon: you start out with highest hopes and great intentions, occasionally sag in the middle, and are elated to see it end – albeit with a tremendous feeling of accomplishment. At least that’s what my runner friends tell me. After all, what would I know about running marathons? I’m a writer.

Who ARE you People?!

February 25th, 2011 No comments

For Bards blog has reached a milestone of sorts – it’s turned the page on its first year, and is moving full-speed ahead into its second.

Some Numbers

During the last year, I have written 79 blog posts which have been read by thousands of readers from 65 countries. Not surprisingly, English language-speaking countries account for a substantial share of this traffic, especially since I have relatives (and many close friends) in the United States and the United Kingdom. But that can’t explain why For Bards blog is popular in Australia or New Zealand, where I am delighted to have discovered a loyal readership.

 

It has been fun as well as educational to write For Bards blog during the last year. Many of the posts dealt with the business end of show business, discussing weekend box office numbers or the changing of the guard at one studio or another. Other posts discuss the creative process, or writing in general. But some of my favorite posts have been more personal, like the series of posts I wrote about “My Favorite Week,” when I was lucky enough to hang out with horror movie icon Vincent Price, or relating the ongoing drama of MGM in “Dyin’ Lion?,” which gave me a chance to reminisce about the studio in earlier troubled times. But when the public speaks, its voice must be heard: the #1 most-read post on For Bards blog the last year? It was a relatively innocuous post about big budget releases – but its title must’ve been irresistable to search engines: “Is that a Tentpole in your pocket? (Or are you just shoring up your slate?)” It certainly proves one thing – Madison Ave. is right: (implied) sex sells! From here on in, I’ll try to work something smarmy into every title…

I Hear You

Many readers have been kind enough to leave comments on For Bards blog – and I am always happy to hear from fellow writers and/or film fans. I’ve also learned a great deal about spam: it’s a tool used by some to direct ‘hits’ to their own websites (or sites they advertise on). I’ve learned how to deal with industrial spam while continuing to offer readers a chance to comment. So don’t hesitate to share your opinion (or movie suggestions) – just don’t be surprised if a spam-laden ‘posting’ never appears… I have my ways!

Shameless Plug

My contributions to For Bards blog are linked to my website Forbard Story Services, and both sites have received a good deal of cross-traffic over the past year. As a result, Forbard Story Services has been fortunate enough to help a number of writers with their screenplays, stage plays, teleplays, treatments and other writing projects.  It is always exciting to offer perspective and constructive analysis to writers, and the coming year holds a great deal of promise for more of the same. I encourage writers to keep up the hard work, since Forbard Story Services is ready, willing and able to help.

So, who ARE you people?

Who are For Bards blog readers? They’re writers, they’re movie fans, they’re my voluminous family… They’re also residents of the Maldives, Ivory Coast, Denmark, Slovenia, South Africa, Argentina, Burma, China, Brazil, Russia, and 55 other countries… In other words, they’re lovers of film and writing from around the world. And I look forward to continuing to write about those subjects as For Bards blog moves from its infancy into toddlerdom. In the meantime, thanks to ALL of you for reading For Bards blog!

Why Analysis?

October 12th, 2010 No comments

Story analysis? (At this point, we touch our fingertips together, lean forward in our chair and observe, while asking “How do you feel about that?”)

Lots of jokes have been made at the expense of touchy-feely psychoanalysis, which is typically represented by a patient unburdening themselves from a psychiatrist’s couch while a thoughtful, goateed doctor listens and occasionally inserts a probing question into the mix. Jokes aside, analysis is a powerful tool to correct deep-rooted problems, and it is why patients visit psychiatrists, doctors specially trained in treating disorders which may very well go unrecognized by others. In doing so, hopefully the analyst gives the patient a new control over their life, leading to success and fulfillment.

Story and script analysis, while mercifully short on comic stereotypes like couches or goatees, are just as powerful tools to offer a screenwriter perspective, focus and context involving their own work. A good story analyst has years of experience and (on the job) training, with a knowledge of film history and current film, as well as a feel for the ebb and flow of the movie industry in general. And at least 1,000 scripts under their belt – read and analyzed; 2,000 is better. Every script read and synopsized, every story analyzed, every set of reader’s comments informs the analyst’s next set of notes; in short, story analysis is cumulative. Over the course of many years, I have analyzed more than 3,500 scripts, manuscripts, plays, teleplays and treatments; as a result, my ability to identify writing missteps, story mistakes, plotting errors and the like has allowed me to assist writers of all kinds, from total neophytes to jaded Hollywood A-Listers.

Regardless of whether you choose a professional story analyst, it’s important to have someone other than yourself read and provide an independent assessment of your work. No one sets out to write a ‘bad’ script – but stuff happens… If you are so immersed in your work you do not recognize logic gaps, uneven characters, plot holes, strained dialogue, formulaic structure or one of the many other traps screewriters fall into, it’s time to bring in a fresh eye – hopefully someone with the skill set to offer constructive criticism that will make the writing process easier and less mysterious for you. I have friends and colleagues who pooh-pooh  the idea of paying a story analyst to read their work (hey – I didn’t say they were good friends…), but they are often the ones who come to me privately and ask me to look at their work. I’ve also offered to read pals’ work gratis and given them advice, but the majority of screenplays I have analyzed have come through the studio system to the production companies or film finance clients I work with, in addition to those personal clients who discovered Forbard Story Services’ website on their own.

So. Analysis. Hmmm… I know how I feel about that – but how about you? It may make all the difference in your pursuit of screenwriting success!