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Posts Tagged ‘Fair Game’

Hollywood’s Best at Last?

November 10th, 2010 No comments

Earlier this year, I wrote in For Bards Blog about Joe Queenan’s contention that 2010 was the worst year for movies ever. While For Bards Blog took a more cautious approach, citing box office champs “Inception” and “Toy Story 3” as quality successes, it’s becoming increasingly clear that Queenan may have had a point. Despite the successes of a few films, quality pickings at the local multiplex or arthouse cinema have been few and far between. For every thought-provoking and poignant independent film like “Never Let Me Go,” or pedigreed Hollywood release like “The Social Network,” there are multiple go-for-the-quick-money, Hollywood-factory releases like “Salt,” “Jackass 3-D,” “The Sorceror’s Apprentice,” or “Robin Hood.” And it’s no accident that so many kids’ movies are released in 3-D, since 3-D simply increases ticket prices, strengthening the studio’s bottom lines.

But there may be a glimmer of hope for serious filmgoers. The holiday film season is upon us, and with it comes a lot of big-budget and high-profile fare, including a 3-D sequel to Disney’s 1982 classic “Tron,” “Tron: Legacy,” along with Danny Boyle’s follow-up to last year’s Oscar-winning “Slumdog Millionaire,” the harrowing “127 Hours.” Action films are represented by Twentieth Century Fox’s “Unstoppable,” which goes head-to-head with Universal Pictures’ “Skyline,” in mid-November, but one week later the first part of the final Harry Potter adventure bows; “Harry Potter and the Deathly Hallows (Part 1)” faces the latest Russell Crowe adventure, “The Next Three Days,” in which Crowe attempts to break his wrongly-accused wife out of prison. In December, the final film based on C.S. Lewis’ Narnia series, “The Chronicles of Narnia: The Voyage of the Dawn Treader,” will open opposite a Ben AffleckChris Cooper dramatic comedy about corporate downsizing, “The Company Men.” Also opening the same week is “The Tempest,” a gender-bender version of William Shakespeare’s play, directed by Julie Taymor (“Across the Universe”), starring Helen Mirren. Another opener that week is the Johnny Depp and Angelina Jolie starrer “The Tourist,” which combines Oscar-winning director Florian Henckel von Donnersmarck (“The Lives of Others”) with equally-honored scribes Julian Fellowes (“Gosford Park”) and Christopher McQuarrie (“The Usual Suspects.”)

As Christmas nears, the mood lightens, and comedies enter the fray. The week of December 22, a 3-D retelling of Jonathan Swift’s “Gulliver’s Travels” opens with Jack Black in the title role, along with “Little Fockers,” the third go-round in the “Meet the Parents” series, featuring Oscar winners Robert DeNiro, Dustin Hoffman, Barbra Streisand as well as Oscar nominee Harvey Keitel. Also opening just before Christmas is “Somewhere,” writer-director Sofia Coppola’s insider Hollywood drama. Also, Paramount has  announced it is moving “True Grit,” the Joel and Ethan Coen re-telling of the Charles Portis novel, forward a few days from its originally-scheduled Christmas release date. Evidently the feeling at Paramount is that they’ve got a strong contender on their hands with last year’s Oscar-winning actor, Jeff Bridges, in the Rooster Cogburn role, (which won the original film’s Cogburn, John Wayne, his only Oscar) and hopes are a few extra days will help fuel Oscar buzz and the film’s bottom line.

And that’s just the tip of the iceberg… There’s a new James L. Brooks film, “How Do You Know,” coming out in mid-December, featuring Brooks’ good-luck charm Jack Nicholson in a cast that includes Reese Witherspoon, Owen Wilson and Paul Rudd. For the serious moviegoer, there’s “Rabbit Hole,” a marital drama starring Nicole Kidman and Aaron Eckhart about the aftermath of a traumatic loss. And let’s not forget “I Love You, Phillip Morris,” a love-tale between prison convicts Jim Carrey and Ewan McGregor, or David O. Russell’s “The Fighter” with Mark Wahlberg and Christian Bale, “Fair Game” with Naomi Watts and Sean Penn, “For Colored Girls,” “Black Swan,” starring Natalie Portman and “Love and other Drugs,” starring Jake Gyllenhaal and Anne Hathaway, in which a pharmaceutical rep falls for a Parkinson’s patient.

This doesn’t even touch the vast number of independent and ‘art’ films that will fill the theaters late this year. So – was 2010 the ‘worst movie year ever?’ It’s impossible to tell – let’s see what it still has to offer…

Finally, “Casino Jack,” the last film by director George Hickenlooper, who died last week at the age of 47, will open December 17. Based on the twisted tale of crooked lobbyist Jack Abramoff, the film is highly regarded by those who have already seen it, and only underscores the loss of director Hickenlooper at such a young age. More will follow about Hickenlooper, who I first wrote about 30 years ago when he was a student at Yale, soon in For Bards Blog.

Meanwhile, in the Executive Suite…

May 14th, 2010 No comments

Kick Cannes

The honchos of Hollywood have decamped for the rainy, volcanic ash-threatened French Riviera for the 63rd Cannes Film Festival. Most travel plans were complicated by ash clouds from the Icelandic volcano Eyjafjallajokull, which caused all sorts of delayed flights, missed connections and other travel headaches for the Hollywood executives and filmmakers on their way to Nice or Cannes. The weather hasn’t really cooperated, either: last week large waves pounded the Croisette, damaging the beach and local establishments. On Wednesday’s opening night, the weather held until after the opening ceremonies, then started raining once the opening film, Ridley Scott’s “Robin Hood,” began screening.

And those lucky enough (or beset upon, depending on who you talk to) to make it from Hollywood to exotic southern France can look forward to… more Hollywood. This year the festival runneth over with Hollywood’s touch, from opening remarks delivered by Kristin Scott Thomas, to a jury headed by Tim Burton and including Benicio del Toro; and don’t forget the movies: the slate of Hollywood product includes “Robin Hood,” “Wall Street: Money Never Sleeps,” Woody Allen’s “You Will Meet a Tall Dark Stranger,” and Doug Liman’s “Fair Game,” based on the memoir of outed CIA agent Valerie Plame, starring  Naomi Watts as Plame and Sean Penn as her diplomat husband Joseph Wilson.

So far, apparently, business is subdued at Cannes. But – a slow business climate, lots of American product on display, scads of Hollywood insiders walking around… Dare I say it? Maybe all those executives should’ve stayed home and caught up on their sleep, ’cause they’re practically in ‘little Hollywood’ now!

I Thought I Saw an Apparition – But I Guess I Was Mistaken…

One of the weirder story items coming from Hollywood (and subsequently Cannes) these days is the abrupt departure of Bob Berney, one of the two principals at

Berney & Pohlad

Apparition, the film company he and Bill Pohlad announced last August. Since then, Apparition has acquired and released several films, including Jane Campion’s “Bright Star,” “Boondock Saints II: All Saints Day” and the Oscar-nominated “The Young Victoria.” But Berney’s sudden split from Apparition on the eve of Cannes, where he was to represent Apparition, has left partner Pohlad and company staffers stunned – and scrambling to make alternate arrangements to represent their interests at the festival. Apparition staffers learned Monday of Berney’s departure in a company-wide email, which was forwarded to the press in defiance of conventional Hollywood public relations protocol, wherein executives do little but gush over one another.

But there’s a twist (it wouldn’t be Hollywood without one, right?): Bob Berney is going to Cannes… So everyone in Tinseltown asks – why? It’s invariably about money… But what sort? Another indie film releasing company? Something bigger? And already, the sharks are circling: aware of Apparition’s distribution deal with Sony, industry bulletin boards around town lit up with speculation that a distribution deal may have become available at the major, prompting denials, frustration and confusion all around.

Berney is a recognized industry leader, having been involved with Newmarket Films, IFC Films and Picturehouse. Among the successes he’s associated with are “My Big Fat Greek Wedding,” “La Vie En Rose,” and “The Passion of the Christ.” It’s not clear what his plans are on the Croisette, but – there’s always that rarely-seen ‘other choice’ of running a studio…

 

 Lion Around?

Much has been written of the slow and inevitable demise of Metro Goldwyn Mayer and United Artists. (See my posting “Dyin’ Lion?”) But MGM, whose creditors have been trying to sell the once-revered Leo the Lion, isn’t garnering the kinds of bids the creditors would like. As a ‘studio’ awash in $3.7 billion worth of debt, MGM simply isn’t an attractive purchase prospect, despite its large library of titles. The studio eventually received only two purchase offers, and one of those, Access Industries, has since rescinded; the remaining offer, from Time Warner for $1.5 billion, was deemed too low by the Lion.

So apparently the company’s creditors have adopted a new strategy: Bloomberg.com reports that the top five creditors have amassed a controlling portion of the company’s debt and are now putting out feelers to Hollywood heavyweights who could run the studio as a going concern. Never mind that MGM already has a Motion Picture Group chairman, Mary Parent, who was production head at Universal before moving to the Lion’s den – the creditors want new blood, and have spoken to a number of former studio heads and other top players, from former News Corp. head Peter Chernin and ex-Viacom topper Jonathan Dolgen to Spyglass principals Gary Barber and Roger Birnbaum. Who knows? Maybe Bob Berney’s on their list as well… he’s currently ‘between projects,’ as we say here in LaLa Land…