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Oscar’s Hosts, Hollywood Hit? and Passings…

November 30th, 2010 No comments

And the Oscar Comes From…

The Academy of Motion Pictures Arts and Sciences has announced its hosts for the 83rd Annual Academy Awards, which are scheduled for Sunday, March 7, 2011. As with last year’s choice of “It’s Complicated” co-stars Steve Martin and Alec Baldwin, producers Dan Jinks and Don Mischer opted for Hollywood star wattage over comedy hosting credits this year and cast Hollywood stars (and potential nominees) James Franco and Anne Hathaway as show co-hosts, the Academy announced yesterday. Neither actor is a newcomer to the Oscars: Franco was a presenter in 2009, and performed in a filmed spoof of his stoner character with “Pineapple Express”  co-star Seth Rogen. And Anne Hathaway proved a pleasant surprise when she ‘spontaneously’ sang and danced with  Hugh Jackman during his opening number the same year.

It’s  no coincidence that the Academy aimed younger and more mainstream for its hosts this year; the ratings for the Oscar telecast, a mainstay of Academy funding, have eroded in recent years, and clearly the Academy hopes to stanch this loss. Franco is a likely Oscar nominee for his lead role in the intense “127 Hours,” and Hathaway will soon appear – with an emphasis on appear – opposite Jake Gyllenhaal in Ed Zwick’s “Love and Other Drugs,” in which the pair perform explicit nude scenes together. Owing to Hathaway’s character’s developing malady, she, too, stands a chance of an Oscar nomination. It’s a fervent hope of the Academy powers-that-be that this year’s telecast will reverse the trend of slipping ratings – and making the hosts younger and sexier is obviously a strategic move toward that goal. Will it work? Check in on Monday, March 8, 2011…

Beverly Hills Murder Mystery

Hollywood is still talking about the murder of successful publicist Ronni Chasen, who was shot multiple times early Tuesday, November 16th,  as she waited for a traffic light in her Mercedes on Sunset Boulevard in a quiet stretch of Beverly Hills. The murder of the diminutive publicist, who was hailed by clients and studio heads alike as tops in her field, has shocked the moviemaking community. Chasen was returning home from attending a premiere and after-party for Screen Gems’ “Burlesque,” when she was apparently targeted at the traffic light at Whittier Drive. Beverly Hills Police, who rarely see homicides, are keeping mum, although they have reportedly turned down offers of assistance from the Los Angeles Sheriff and the L.A.P.D.. Within hours of the killing, B.H. Police confiscated computers and other items from Chasen’s home and publicity firm office, but in the weeks that have passed no further information has been forthcoming. Even still, rumors circulate, including a disputed suggestion today that red-light cameras at the intersection had been tampered with to make them inoperable.  

Chasen, 64, was credited with creating the modern ‘Oscar’ campaign that is so ubiquitous at year’s end in Hollywood. The “For Your Consideration” ads that pepper Hollywood trade publications are a testimony to Chasen, whose publicity efforts brought Oscar gold (and instant credibility and higher salaries) to actors, producers and composers involved with films like “Driving Miss Daisy,” “Shakespeare in Love,” “Slumdog Millionaire” and “The Hurt Locker,” to name a few. In a rare show of Hollywood unity, six major film companies joined to honor Chasen with a memorial service a week after her death. She is survived by her brother, filmmaker Larry Cohen (“Q,””Phone Booth”).

Darth is Dad? Surely You’re Not Serious…

As the year winds down, there are more losses from old Hollywood… Irvin Kirshner, perhaps best known as the director of “The Empire Strikes Back,” died Saturday at age 87. Kershner, who studied film at USC, began his career producing documentaries for the U.S. Information Service in the Middle East, then turned his attentions toward television, where he directed documentaries and episodes of popular shows like “Ben Casey” and “Naked City.” Kirshner transitioned into feature films, earning a distinction as one of producer Roger Corman’s first proteges when he was handed the directing reins for 1958’s “Stakeout on Dope Street.” A-list films (and stars) followed, including “A Fine Madness” and “Never Say Never Again” with Sean Connery, “Up the Sandbox” with Barbra Streisand, and “Eyes of Laura Mars,” with Faye Dunaway (featuring a young Tommy Lee Jones as a killer). But Kirshner had his greatest commercial success with “The Empire Strikes Back,” a substantially darker film than its “Star Wars” predecessor; while critical reaction was muted at the time of its release, now the film is often referred to as the best of the original three “Star Wars” movies.

Leslie Nielsen, whose career as a dramatic leading man took a left turn to embrace comedy stardom in his mid 50s, died from complications of pneumonia in Fort Lauderdale, Florida. He was 84. Born in Canada, the handsome young Nielsen studied acting at the Academy of Radio Arts in Toronto, and later at the Neighborhood Playhouse in New York City. Live television roles followed on shows like “Goodyear Playhouse,” “Tales of Tomorrow” and “Kraft Theatre.” Before long, the much-in-demand Nielsen was making feature films, including “Forbidden Planet,” while he continued working steadily as a TV guest star for the next 20 years. Although he remained busy, his roles grew increasingly colorless until he was cast in 1980’s “Airplane!” as Dr. Rumack. His deadpan delivery of lines like “Don’t call me Shirley” and “I’m a doctor, you can tell me anything” revitalized his career, and Leslie Nielsen was ‘rediscovered,’ at age 54, as a comedic star. He went on to star in a TV series, “Police Squad!,” as well as 3 “The Naked Gun” feature film spinoffs starring that series’ main character, Police Lieutenant Frank Drebin. All told, Nielsen’s career covered over 60 years and resulted in 239 TV and movie roles; his credits ranged from the ridiculous to the sublime, but he will surely be remembered for making us laugh.

Hollywood’s Best at Last?

November 10th, 2010 No comments

Earlier this year, I wrote in For Bards Blog about Joe Queenan’s contention that 2010 was the worst year for movies ever. While For Bards Blog took a more cautious approach, citing box office champs “Inception” and “Toy Story 3” as quality successes, it’s becoming increasingly clear that Queenan may have had a point. Despite the successes of a few films, quality pickings at the local multiplex or arthouse cinema have been few and far between. For every thought-provoking and poignant independent film like “Never Let Me Go,” or pedigreed Hollywood release like “The Social Network,” there are multiple go-for-the-quick-money, Hollywood-factory releases like “Salt,” “Jackass 3-D,” “The Sorceror’s Apprentice,” or “Robin Hood.” And it’s no accident that so many kids’ movies are released in 3-D, since 3-D simply increases ticket prices, strengthening the studio’s bottom lines.

But there may be a glimmer of hope for serious filmgoers. The holiday film season is upon us, and with it comes a lot of big-budget and high-profile fare, including a 3-D sequel to Disney’s 1982 classic “Tron,” “Tron: Legacy,” along with Danny Boyle’s follow-up to last year’s Oscar-winning “Slumdog Millionaire,” the harrowing “127 Hours.” Action films are represented by Twentieth Century Fox’s “Unstoppable,” which goes head-to-head with Universal Pictures’ “Skyline,” in mid-November, but one week later the first part of the final Harry Potter adventure bows; “Harry Potter and the Deathly Hallows (Part 1)” faces the latest Russell Crowe adventure, “The Next Three Days,” in which Crowe attempts to break his wrongly-accused wife out of prison. In December, the final film based on C.S. Lewis’ Narnia series, “The Chronicles of Narnia: The Voyage of the Dawn Treader,” will open opposite a Ben AffleckChris Cooper dramatic comedy about corporate downsizing, “The Company Men.” Also opening the same week is “The Tempest,” a gender-bender version of William Shakespeare’s play, directed by Julie Taymor (“Across the Universe”), starring Helen Mirren. Another opener that week is the Johnny Depp and Angelina Jolie starrer “The Tourist,” which combines Oscar-winning director Florian Henckel von Donnersmarck (“The Lives of Others”) with equally-honored scribes Julian Fellowes (“Gosford Park”) and Christopher McQuarrie (“The Usual Suspects.”)

As Christmas nears, the mood lightens, and comedies enter the fray. The week of December 22, a 3-D retelling of Jonathan Swift’s “Gulliver’s Travels” opens with Jack Black in the title role, along with “Little Fockers,” the third go-round in the “Meet the Parents” series, featuring Oscar winners Robert DeNiro, Dustin Hoffman, Barbra Streisand as well as Oscar nominee Harvey Keitel. Also opening just before Christmas is “Somewhere,” writer-director Sofia Coppola’s insider Hollywood drama. Also, Paramount has  announced it is moving “True Grit,” the Joel and Ethan Coen re-telling of the Charles Portis novel, forward a few days from its originally-scheduled Christmas release date. Evidently the feeling at Paramount is that they’ve got a strong contender on their hands with last year’s Oscar-winning actor, Jeff Bridges, in the Rooster Cogburn role, (which won the original film’s Cogburn, John Wayne, his only Oscar) and hopes are a few extra days will help fuel Oscar buzz and the film’s bottom line.

And that’s just the tip of the iceberg… There’s a new James L. Brooks film, “How Do You Know,” coming out in mid-December, featuring Brooks’ good-luck charm Jack Nicholson in a cast that includes Reese Witherspoon, Owen Wilson and Paul Rudd. For the serious moviegoer, there’s “Rabbit Hole,” a marital drama starring Nicole Kidman and Aaron Eckhart about the aftermath of a traumatic loss. And let’s not forget “I Love You, Phillip Morris,” a love-tale between prison convicts Jim Carrey and Ewan McGregor, or David O. Russell’s “The Fighter” with Mark Wahlberg and Christian Bale, “Fair Game” with Naomi Watts and Sean Penn, “For Colored Girls,” “Black Swan,” starring Natalie Portman and “Love and other Drugs,” starring Jake Gyllenhaal and Anne Hathaway, in which a pharmaceutical rep falls for a Parkinson’s patient.

This doesn’t even touch the vast number of independent and ‘art’ films that will fill the theaters late this year. So – was 2010 the ‘worst movie year ever?’ It’s impossible to tell – let’s see what it still has to offer…

Finally, “Casino Jack,” the last film by director George Hickenlooper, who died last week at the age of 47, will open December 17. Based on the twisted tale of crooked lobbyist Jack Abramoff, the film is highly regarded by those who have already seen it, and only underscores the loss of director Hickenlooper at such a young age. More will follow about Hickenlooper, who I first wrote about 30 years ago when he was a student at Yale, soon in For Bards Blog.