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Are Movies Getting BIGGER?

February 3rd, 2011 1 comment

In the 1950 classic “Sunset Blvd.,” when down-on-his-luck screenwriter Joe Gillis (William Holden) meets faded silent star Norma Desmond (Gloria Swanson), he says “You’re Norma Desmond. You used to be in pictures. You used to be big.” Norma’s response: “I am big. It was the pictures that got small.”

“Sunset Blvd.”‘s script won Academy Awards for screenplay and story for writers Billy Wilder (who was also nominated for Best Director), writing partner Charles Brackett and D.M. Marshman, Jr.. It’s one of many memorable lines in a classic Hollywood film about Hollywood that garnered 11 nominations, including Best Picture, winning the coveted statuettes for Screenplay/Story, Art/Set direction and Best Score (by Franz Waxman). Seen at the time by movie stars and studio heads as an indictment of Hollywood, “Sunset Blvd.” has gone on to become a beloved drama often quoted by cinephiles. “I’m ready for my close-up, Mr. DeMille” is another classic line, having worked its way into the popular lexicon as an alternative way of saying “I’m prepared.”

But Norma Desmond’s biting response about Hollywood raises an interesting point. Fewer studio films are being made (110 in 2010 versus 121 in 2009), and the cost of most of those fewer films have risen. Since box office figures represent a drop in attendance in 2010 of 8%, and the total domestic box office return dropped 4%, it’s clear that fewer people are going to the movies – and they are paying more. Premium 3-D ticket prices are the reason the box office take hasn’t shrunk as much as attendance, but the fact remains that the movie business is undergoing a paradigm shift. Are pictures getting smaller? Quite the opposite: they’re getting BIGGER.  

A quick look at the upcoming slate of pictures for 2011 makes one thing very obvious: for better or worse, consider 2011 ‘the year of the numeral.’ Sequels, prequels and remakes rule the roost in the coming year, with titles like “The Hangover 2,” “Transformers 3,” “Pirates of the Caribbean 4,” “Harry Potter and the Deathly Hallows – Part 2,” “Twilight Saga: Breaking Dawn – Part 1,” “Kung Fu Panda 2,” “Cars 2,” “Scream 4,” “X-Men: First Class,” “Planet of the Apes” prequel “Rise of the Apes,” “Shrek” spin-off “Puss in Boots,” a remake of “Arthur,” another Tyler Perry ‘Madea’ film – “Madea’s Big Happy Family,” along with a new Muppet movie, as well as “Mission Impossible 4,” “Sherlock Holmes II,” another remake of “The Lone Ranger,” (due in 2012) and an American version of Sweden’s “The Girl With The Dragon Tattoo,” directed by “The Social Network”‘s David Fincher. And that doesn’t even count the veritable flood of superhero movies coming our way: “Captain America,” “Thor,” and “The Green Lantern,” to name a few.

So – are the pictures getting small? No way. Studios and moviemakers depend on recognizeable ‘properties’ to stoke their B.O. furnaces, and just about every film listed above will have a budget equal to (or more than) the previous film in its series. After all, ‘bigger is better,’ right? At least that’s what Hollywood is counting on. The studios are also readying ‘familiar’ projects (many of them in 3-D to optimize profits) like “Dark Shadows,” an adult-themed “Red Riding Hood,” “The Smurfs,” “The Adventures of Tintin: The Secret of the Unicorn,” a 3-D motion capture film by Steven Spielberg (and ostensibly the first of a series), in addition to “Mr. Popper’s Penguins,” based on the beloved 1938 kids book.

So – pictures are getting bigger. TV and movie maven J.J. Abrams has his super-secret “Super 8” project coming out in early June – it’s a nod to the early sci-fi films of Steven Spielberg. And things are really going to get loud and in-your-face when Michael Bay opens his next “Transformers” film on July 1st. In addition, “Iron Man” director Jon Favreau has his hybrid western/action/sci-fi graphic novel adaptation “Cowboys & Aliens” opening at the end of July. Even Zack Snyder (“300,” “Watchmen”) has another action film opening with “Sucker Punch,” opening on March 25th. If you didn’t get enough titan clashing in 2010, Mickey Rourke and the next Superman, Henry Cavill, will become “Immortals” in a Grecian epic opening in November.

So – unless you are a denizen of indie arthouse fare, depend on one thing: movies are getting bigger. Running times often underscore this, making some action/adventure films feel like an extended assault on your senses. It’s all part of the ‘magic of the movies,’ although the coming glut of pre-packaged entertainment might leave one wondering whether it’s dark magic – or merely time-worn tricks being utilized to, as Harry Cohn famously said, ‘put fannies in seats.’

Next: Hold On – aren’t movies getting smaller?

Amicable Splits, Miraculous Revivals and Movie Piracy!

June 14th, 2010 No comments

Notable in Hollywood news this week: verification of a long-rumored split, confirmation of a sudden (but friendly) departure, the resurrection of two franchises and the reinstatement of movie piracy, at least for the purposes of gathering theatergoer coin…

Amicable Split: Part 1

“Twilight” series fans, rejoice! Summit Entertainment, the film company behind “Breaking Dawn,” the adaptation of the fourth (and final) book in Stephenie Meyer’s ‘Twilight’ saga, announced on Friday that “Breaking Dawn” will be split into two films, with the first of the pair to be released on November 18, 2011. Set to be directed by Bill Condon, (“Dreamgirls“), production on “Breaking Dawn” will start this fall; all of its stars and supporting cast are returning for another go-round. The third film in the “Twilight” series, “Eclipse,” directed by David Slade, (“Hard Candy,” “30 Days of Night”), opens later this month, on June 30th.

It’s long been rumored that the final tome in Stephenie Meyer’s wildly-successful ‘vampires and werewolves chaste love triangle’ series would be split into two films, a la the last two “Pirates of the Caribbean” sequels, which, coincidentally, are about to be followed up by a fourth ‘Pirates’ franchise picture (see below for more…)

Amicable Split: Part 2

News leaked out quietly this week that longtime Sony executive Peter Schlessel, whose title as “President of Worldwide Affairs” had to be one of the coolest studio titles ever, is leaving the studio after 21 years of involvement as a senior dealmaker, advisor and, as the local trades described him, consigliere. It’s not like he’s going far: he’ll be joining Graham King (“Gangs of New York,” “The Young Victoria,” “The Departed”) as President of GK Films; Schlessel was instrumental in bringing the successful British producer into the Sony fold via a distribution deal that will see the studio releasing GK product like the upcoming Johnny DeppAngelina Jolie starrer “The Tourist,” as well as Martin Scorsese’s planned 3-D adaptation of the best-selling youth novel “The Invention of Hugo Cabret.”

 A former president of Columbia Pictures and successful producer in his own right, Schlessel most recently ran Sony Pictures Worldwide Acquisitions Group, which acquired Sony’s only 2009 Best Picture Academy Award nominee, “District 9,” oversaw the “This Is It” Michael Jackson documentary and engineered a DVD output deal with the Weinstein Company. His ability to move upward in Sony was capped by the presence of studio co-chairs Michael Lynton and Amy Pascal, so Schlessel made himself into a ‘free agent,’ to employ a sports analogy, and joined one of the hottest teams in the league. In the interest of full disclosure, I have met Mr. Schlessel, and found him to be bright and personable. His career success speaks for itself, as do the many kudos he’s received since word leaked out of his departure from Sony.   

Back From the Dead (or Dead Drunk)!

Two Hollywood franchises were resurrected recently: Russell Brand has been re-Branded as “Arthur,” the lovable drunk made popular in Steve  Gordon’s 1981 Oscar-winning film (and its less successful sequel). He’ll be joined by Greta Gerwig and Jennifer Garner as his love interests, along with supporting veterans Helen Mirren and Nick Nolte. The new script was written by Peter Baynham, (“Bruno”), who re-wrote “Arthur” as a vehicle for his pal Brand.

Bourne-again?!

And if you though Jason Bourne was a distant memory, forget it… Universal has revived its moneymaking Bourne franchise despite the fact that star Matt Damon and director Paul Greengrass, who directed the last two of the three ‘Bourne’ big screen entires, will not be returning to the series. A treatment  for the fourth intallment in the series, “The Bourne Legacy,” will be written by the screenwriter of the three previous films, Tony Gilroy, (“Michael Clayton,” “State of Play”), who will also write a ‘bible’ for the ‘Bourne’ franchise, suggesting that the studio sees additional spin-off or sequel opportunities in the world of shadowy spy Jason Bourne. Oddly, although series creator Robert Ludlum died in 2001, his work has never been hotter, with half-a-dozen properties in varying stages of development; even odder is the fact that the latest film takes its title from a ‘Bourne’ novel written by authorized Ludlum successor Eric Lustbader, but will not take its plot: Gilroy will provide that.  

Hollywood Hearts Pirates

In another demonstration that nothing succeeds like success (or, in this case, excess), Disney has announced that Jerry Bruckheimer’s ‘Pirates of the Caribbean” series’ latest entry, “Pirates of the Caribbean: On Stranger Tides” has cast Geoffrey Rush for a fourth go-round as Captain Hector Barbossa opposite Johnny Depp, who committed to another ‘Pirates’ film after the stellar box office success of the first three entries. Both Depp and Rush join a largely-new cast, including new director Rob Marshall (“Chicago”) who took over from the previous films’ Gore Verbinski, along with new leading lady Penelope Cruz and new villain Ian McShane. In addition to its two returning stars and producer Jerry Bruckheimer, also returning to the franchise are screewriters Terry Rossio and Ted Elliott, who penned the previous three ‘Pirates’ films.