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Hollywood’s Best at Last?

November 10th, 2010 Leave a comment Go to comments

Earlier this year, I wrote in For Bards Blog about Joe Queenan’s contention that 2010 was the worst year for movies ever. While For Bards Blog took a more cautious approach, citing box office champs “Inception” and “Toy Story 3” as quality successes, it’s becoming increasingly clear that Queenan may have had a point. Despite the successes of a few films, quality pickings at the local multiplex or arthouse cinema have been few and far between. For every thought-provoking and poignant independent film like “Never Let Me Go,” or pedigreed Hollywood release like “The Social Network,” there are multiple go-for-the-quick-money, Hollywood-factory releases like “Salt,” “Jackass 3-D,” “The Sorceror’s Apprentice,” or “Robin Hood.” And it’s no accident that so many kids’ movies are released in 3-D, since 3-D simply increases ticket prices, strengthening the studio’s bottom lines.

But there may be a glimmer of hope for serious filmgoers. The holiday film season is upon us, and with it comes a lot of big-budget and high-profile fare, including a 3-D sequel to Disney’s 1982 classic “Tron,” “Tron: Legacy,” along with Danny Boyle’s follow-up to last year’s Oscar-winning “Slumdog Millionaire,” the harrowing “127 Hours.” Action films are represented by Twentieth Century Fox’s “Unstoppable,” which goes head-to-head with Universal Pictures’ “Skyline,” in mid-November, but one week later the first part of the final Harry Potter adventure bows; “Harry Potter and the Deathly Hallows (Part 1)” faces the latest Russell Crowe adventure, “The Next Three Days,” in which Crowe attempts to break his wrongly-accused wife out of prison. In December, the final film based on C.S. Lewis’ Narnia series, “The Chronicles of Narnia: The Voyage of the Dawn Treader,” will open opposite a Ben AffleckChris Cooper dramatic comedy about corporate downsizing, “The Company Men.” Also opening the same week is “The Tempest,” a gender-bender version of William Shakespeare’s play, directed by Julie Taymor (“Across the Universe”), starring Helen Mirren. Another opener that week is the Johnny Depp and Angelina Jolie starrer “The Tourist,” which combines Oscar-winning director Florian Henckel von Donnersmarck (“The Lives of Others”) with equally-honored scribes Julian Fellowes (“Gosford Park”) and Christopher McQuarrie (“The Usual Suspects.”)

As Christmas nears, the mood lightens, and comedies enter the fray. The week of December 22, a 3-D retelling of Jonathan Swift’s “Gulliver’s Travels” opens with Jack Black in the title role, along with “Little Fockers,” the third go-round in the “Meet the Parents” series, featuring Oscar winners Robert DeNiro, Dustin Hoffman, Barbra Streisand as well as Oscar nominee Harvey Keitel. Also opening just before Christmas is “Somewhere,” writer-director Sofia Coppola’s insider Hollywood drama. Also, Paramount has  announced it is moving “True Grit,” the Joel and Ethan Coen re-telling of the Charles Portis novel, forward a few days from its originally-scheduled Christmas release date. Evidently the feeling at Paramount is that they’ve got a strong contender on their hands with last year’s Oscar-winning actor, Jeff Bridges, in the Rooster Cogburn role, (which won the original film’s Cogburn, John Wayne, his only Oscar) and hopes are a few extra days will help fuel Oscar buzz and the film’s bottom line.

And that’s just the tip of the iceberg… There’s a new James L. Brooks film, “How Do You Know,” coming out in mid-December, featuring Brooks’ good-luck charm Jack Nicholson in a cast that includes Reese Witherspoon, Owen Wilson and Paul Rudd. For the serious moviegoer, there’s “Rabbit Hole,” a marital drama starring Nicole Kidman and Aaron Eckhart about the aftermath of a traumatic loss. And let’s not forget “I Love You, Phillip Morris,” a love-tale between prison convicts Jim Carrey and Ewan McGregor, or David O. Russell’s “The Fighter” with Mark Wahlberg and Christian Bale, “Fair Game” with Naomi Watts and Sean Penn, “For Colored Girls,” “Black Swan,” starring Natalie Portman and “Love and other Drugs,” starring Jake Gyllenhaal and Anne Hathaway, in which a pharmaceutical rep falls for a Parkinson’s patient.

This doesn’t even touch the vast number of independent and ‘art’ films that will fill the theaters late this year. So – was 2010 the ‘worst movie year ever?’ It’s impossible to tell – let’s see what it still has to offer…

Finally, “Casino Jack,” the last film by director George Hickenlooper, who died last week at the age of 47, will open December 17. Based on the twisted tale of crooked lobbyist Jack Abramoff, the film is highly regarded by those who have already seen it, and only underscores the loss of director Hickenlooper at such a young age. More will follow about Hickenlooper, who I first wrote about 30 years ago when he was a student at Yale, soon in For Bards Blog.

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